Gerardo Fontanes Pérez
Painter and Art Counsellor.
Akros Gallery
Bilbao, Spain

...using quite unique artistic tools Zara encoded the religious into aesthetics, tried to open up the link between cultures, between past and present. Taking into consideration art-aesthetic universal forms, her own intuition of the sacral, she created symbol art, which is capable of taking the imagination and mind out of semantic labyrinth to the spiritual depth.

Vardan Jaloyan
Art Critic
Art Gallery
Yerevan, Armenia

In the world of the Dutch painter De Kooning, the work of Zara Manucharian offers us
“gusts of sensation”. They are close to an aesthetic of the unconscious, and their forms seem to plunge into deep torments, they are a sort of energy paining, an exuberant play of colors. Despite the complexity of this choice of tones, the artist preserves a geometrical “framework” which does not overshadow color, as color describes its own forms.
But the dialogue between form and color avoids any excessive fascination with unbridled fragmentation.

Alain Navarra de Borga
Historien de l’Art
“BEL-AIR FINE ART” galerie
Geneve, Switzerland

I came to know Zara Manuicharyan's works first when I got a collection of her pictures - monotypes, graphics and paintings which I decided to exhibit in my gallery of Puerto de Andratx in Mallorca.
Her works attracted my attention with a wonderful purity and grandeur of composition, with her style of disclosing the theme with the help of figure images.
During the exhibition all the art lovers made comparison with the masters of the Italian Renaissance. Her "Angel's love" or "Dream in the boat" remind me surprisingly of the masters I love most. I think Zara's great talent found its best expression in her large-size monotypes.

Ulrich Goette Himmelblau
Art-Domain.com Gallery
The owner, art critic
Puerto de Andratx